15HMEYEDY UNE ONLY detion to the human form using linear flow only This study of two nudes shows fir Gestaltung.Zurich
gestures of the sure.self-confident In this case the figure is not defined by nebutbyacombinationofionalcfcs From a Bamme
2. can create the forms ass compressions,tensions,relaxations,directions and precise formal accents. Studies of standing and seated poses in The point of this exercise would be lost ifyou just produced a repose mptctntrtsbcenadofpoporionandtheg and the functional working of the body (fig22).It is crucialto model's weight is supported on one leg of gravity If you make cut-outs of a proportioned figure using different ocedure is as follows yoof paper (igs 1.18).this akoives .Decide how to break the figure down. .Mark the weight-carrying sole and the center of gravity which is directly above it. geomeric shapes you haveaready worked out;youn then Establish the direction of the standing leg,the curve described imulate the procesesof cenof gravity shiftnds by the the body and th e directions of the cross sta t lay Once thisst ntiation of fo Rather directly above the sole of the foot of the standing All further consequences,such as the lowering of the pelvison ore parts quite cear It is imporant throughout these exerises the unsupported side,the slanting position of the standing from our eg, the way the canding leg,etc t work and carry ofth ode'bity o stand and This exercise makes it clear ho Thereare many possible ways of achieving this.It may be standinge),stretching(gapsround the to work up originate.Breaking the figure oid of the hin and u ard and outward until you reach the contours (do no make methods proposed in some studios preparatory outine drawing:keep the lines broad and flat).You If you cut your proportioned figures out of foil and allw for youcndevopi ing in a very you aland dynami (fig.24) method is to use a paintbrush:the smooth. )and them to ssential (fig.23).The brush must immediately work with make prints following through what happens in different volume standing positions(fig.20).Printing with blocks of movable canture the esse hose n cople who cannot are one o you hav techniques (figs25-27)too When drawing you must constantly eant about standng be on the look changes,and this applies equally to seated Closely related to the two elementary intermediate stages of poses (higs Z8 nts grasp the cut-c and printing is working with chalk:thisis quickly and onvey a rapid sequence of changes of t them from by the mode Papeceofdakhidhsthergileaghtogaethe 8etingboggeddowminanatomicldcetal 20
17OMEOONE CUTOUIS A lot can be learnt from understanding the many regular changes of form that occur through observing the mutual relationship of the center of gravity,the (in white)nd the sole of the Student of set painting,first semester 18张NOF PROPORTION AND The success of this study compared with fig.17 is enhanced by the drawing of simple skeletal forms into the geometrized sections of the body, semester Sudies of standing and seated poses in repose
FIGURES IN ACTION Besidesiproporion 重清 factors,an understanding of the way in aao 20 IGURES INMOVEVENTED Keeping to the geometrized basic form of the body in producing the printing 21 DSNG BROAD CHKUNES These studies are closely linked to previous investigations of proportionIt is now important to render forms 22pe2 dies of sanding and seated poses in repose