ATTITUDES OF THE HUMAN FIGURE:THE POSE 60 the Figure:Open and Closed Approaches7 Seated and Reclining p ontraposto 72 Motion:The Expressive Line of the Body 78 wing the Nude in Perspective 8o LIGHT AND SHADOW IN THE HUMAN FIGURE 82 Sketching a Tonal Drawing 88 of Hatching:Creating Volume 90 Chiaroscur Effects:Working with Absolute Contrast94 STEP BY STEP 126 Figure and Its Context 104 u Fore :Drawing Building on stains 134 VTEXTURES AND EFFECTS 106 Up 140 The artist's resour 42 CreatingVolume with Accents Modelin a Figure 148 Erasing:Opening Up Spaces 8 Figure of a Young Woman and a Girl on the Beach Is. Expresive Lines:Rhythm and Tension The Qualities of the Skin 1 Index 159
6 Introduction The FIGURE AS ARTIST'S OBJECTIVE human figure that are absent with other subjects.This ut into practice cverything e ow abou 1. e1。 Dringh human body preentgreater challenge than any other subject,because both artist and viewer are intimately fami of the uman figure.F still live n,an artist whe Drawing the human figure requires a an figure.We often which will to ker gaze s a pro uct of his particular draw us to adjust our
d it is in tant also sense of depth and relief moreor less-prominent. forms.The human figu e is a highly s ieubewhichbeppr器ed品n many different perspectives and individual styles without diluting acad rtist to pay attention scipline because it forces ooforgncal coordnated formsan skillful 8ndcrorogtabosnoaeaeim
STUDY OF THE Vade Tigure .'n Ajuo pino
