Vilppus Mastering Composition In this drawing after Rubens,you mencanarterofiheold ing. ge6os studying
Vilppu's Mastering Composition VILPPU DRAWING DEMONSTRATION SERIES NO.27 Titian,Emtombment of Christ,1523-1526 具有版權的資料 In this series of drawings,I am In my simplified drawing from I suggest that if you can find a expanding on the elements the painting.I have emphasized good reproduction of this discussed in drawing No.26, some of the major lines of the painting that you should draw analyzing a painting by Titian, composition focusing on the from it to learn to see how the “Entombment of Christ'”,1526. rhythm,and how movements are lines flow from one to another. Louvre,Paris. in opposition to each other,as discussed in No.26
Vilppus Mastering Composition This drawing demonstrates the In Rubens,one of the main points was doing the same thing as Titian same three elements that we was how he created space by since Titian was earlier. discussed in No.26 with Rubens.having the arms and legs go over and under each other. Also notice the strong use of The leaning figure over the thythm ("C"us throughout the reclining figure is creating a sense As you draw this one you will see painting of space as in the diagram"" that Titian is doing the same thing. and“B or more correctly,that Rubens 10
Vilppus Mastering Composition This is a start to focus e parts contrbute irge movem the figure bending over. Thisthe dthird 40K0s composition. how they lead you up through "B”and“C h accounts for the smal number of drawings by Titian that have survived
Vilppus Mastering Composition In this single fioure i bave Trace over it to see how the basic idea of rhythm is eate a sense of space and yolume. 具有版權的资刊 12