The upper back.shwn upvew rear.ample
The upper back, shown upview rear, is ample enough to obscure the greater part of the head and conceal the attachment of the neck column to the chest
The GHOWRLGV two large, inverted teardrop shapes, descend from each side of the upper chest mass. The deltoids are normally part of the arms, but because they connect the arms to the rib cage barrel, they become part of a unit described as the FKHVWDQGVKRXOGHUV 16
Specote should be made of the drawng of in the emale breasts on the rib cage.In general the lower angle of the chest (above) the chest,exposing a barrel shape o e or nt f e the pubic arch.is not only the argest of the
When the FKHVW DQGVKRXOGHUV are considered as a combined form, we must be aware of a change in appearance in the upper chest mass: with the arm down (A), the shoulder merges with the chest (in this position, the upper torso takes on the qualified appearance of a ZHGJH and with the arm upraised (B), the shoulder lifts from the chest, exposing a EDUUHO shape (above). Special note should be made of the drawing of IHPDOH EUHDVWV on the rib cage. In general appearance, the young adult female breast has the look of an overturned teacup positioned at the lower angle of the chest (above). The diaphragm arch appears as a great, vaulting tunnel of bone at the base of the front of the chest. From this opening, like the hollow bottom of a brandy bottle, the long abdominal mass emerges and descends in three undulant stages, or tiers. It should be observed that the terminal belly form (the third tier), starting at the lower level of the navel and compressing to the pubic arch, is not only the largest of the three stages, but is roughly equivalent in size to the frontal head mass of this figure (left).
draw lines outward on the chest muscle.Using a male figure(for the sake his h When the cuplike breasts are superimposed curve of the chest at a combined angle of (right)
$ To place the breast correctly, it is necessary first to find the position of the QLSSOH on the chest muscle. Using a male figure (for the sake of clarity), we start at the pit of the neck where the collarbones join (A). From this point, we plot a curve at a 45° angle to the vertical, central line of the body, which follows the barrel shape of the rib cage and progresses outward and down across the chest. The nipple disc (B) is located on this line just above the deep corner margin of the chest muscle. $ If we draw two 45° lines outward from the center body line to the right and to the left across the chest barrel we can correctly place the nipples of the chest base (above). When the cuplike breasts are superimposed posed on the nipple positions, and the discs are advanced to the surface of the breast mounds, note that ERWK breasts point off the curve of the chest at a FRPELQHG angle of 90° (right).
