Text 12 The expressive plane in the theater would be derived from the feeling that you get from what is happening on the stage.You are moved to pity,excitement,or gaiety. It is this general feeling,generated aside from the particularwords being spoken, a certain emotional something which exists on the stage,that is analogous to the expressive quality in music. Translation
12 The expressive plane in the theater would be derived from the feeling that you get from what is happening on the stage. You are moved to pity, excitement, or gaiety. It is this general feeling, generated aside fromthe particular words being spoken, a certain emotional something which exists on the stage, that is analogous to the expressive quality in music. Text
Text 13 The plot and plot development is equivalent to our sheerly musical plane.The playright creates and develops a character in just the same way that a composer creates and develops a theme.According to the degree of your awareness of the way in which the artist in either field handles his material will you become a more intelligent listener. 14 It is easy enough to see that the theatergoer never is conscious of any of these elements separately.He is aware of them all at the same time.The same is true of music listening.We simultaneously and without thinking listen on all three planes. Translation
13 The plot and plot development is equivalent to our sheerly musical plane. The playwright creates and develops a character in just the same way that a composer creates and develops a theme. According to the degree of your awareness of the way in which the artist in either field handles his material will you become a more intelligent listener. 14 It is easy enough to see that the theatergoer never is conscious of any of these elements separately. He is aware of them all at the same time. The same is true of music listening. We simultaneously and without thinking listen on all three planes. Text ■
Text 分 我们是怎样听音乐的 我们都按照各自不同的能力来听音乐。但为了便于分析， 如果把听的整个过程分成几个组成部分，那么这个过程会更 清晰一些。从某种意义上来说，我们听音乐有三个不同的层 次。由于缺乏更好的术语，我们姑且把它们命名为：(1)感 官层次；(2)表现层次；(3)纯音乐层次。把听的过程机 械地分割为以上三个假想的层次，唯一的好处是让我们更清 楚地了解自己是怎样听音乐的。 Text
Text 我们是怎样听音乐的 1 我们都按照各自不同的能力来听音乐。但为了便于分析， 如果把听的整个过程分成几个组成部分，那么这个过程会更 清晰一些。从某种意义上来说，我们听音乐有三个不同的层 次。由于缺乏更好的术语，我们姑且把它们命名为：（1）感 官层次；（2）表现层次；（3）纯音乐层次。把听的过程机 械地分割为以上三个假想的层次，唯一的好处是让我们更清 楚地了解自己是怎样听音乐的
Text 2 听音乐最简单的方式是去获取乐声带来的纯粹的愉悦感， 这是音乐的感官层次。在这个层次上，我们只是听音乐，不 做任何思考。我们打开收音机，一边做着其他的事情，一边 心不在焉地沉浸在音乐中。乐声本身的魅力带我们进入一种 无需思考的美妙心境。 Text
Text 2 听音乐最简单的方式是去获取乐声带来的纯粹的愉悦感， 这是音乐的感官层次。在这个层次上，我们只是听音乐，不 做任何思考。我们打开收音机，一边做着其他的事情，一边 心不在焉地沉浸在音乐中。乐声本身的魅力带我们进入一种 无需思考的美妙心境
Text 令人意外的是，许多自认为合格的音乐爱好者在听音乐 时过多地使用了这一层次。他们去听音乐会是为了忘却自我。 他们把音乐当成一种慰藉，一种逃避，由此他们进入了一个 可以忘却日常生活的理想世界。当然，他们也没有思考音乐。 音乐允许他们离开现实，到另一个地方去做梦，因为音乐而 做梦，做有关音乐的梦，却从没有真正欣赏过音乐。 Text
Text 3 令人意外的是，许多自认为合格的音乐爱好者在听音乐 时过多地使用了这一层次。他们去听音乐会是为了忘却自我。 他们把音乐当成一种慰藉，一种逃避，由此他们进入了一个 可以忘却日常生活的理想世界。当然，他们也没有思考音乐。 音乐允许他们离开现实，到另一个地方去做梦，因为音乐而 做梦，做有关音乐的梦，却从没有真正欣赏过音乐